得撒盖伍德(英语/ 1908 - 1951)木刻作品品裳

得撒盖伍德- The Dog Show,19291929年狗狗秀

木头雕刻

Sheet size: 250x175 mm图纸大小:250x175毫米Image size: 165x125 mm图片尺寸:165x125毫米Edition: Size of edition unknown; scarce –Unsigned版:大小版未知;稀缺——无符号Original wood engraving byTirzah Garwood (Tirzah Ravilious), created in 1929 for a projectedbut never published Curwen Press calendar.原始木材雕刻得撒盖伍德(得撒Ravilious),创建于1929年的预测���从未Curwen出版社出版的日历。Aspublished in 1930 by The London Mercury.伦敦在1930年出版的汞。Printed by the Mercury Press on wovepaper. 印刷的汞横纹纸。As usual with wood engravingspublished by The London Mercury, there is text on the verso.像往常一样用木头雕刻伦敦出版的汞,反面有文本。Below the image are printedthe words, The Dog Show, Woodcut by Tirzah Garwood.下面的图像打印的话,木刻的狗狗秀得撒盖伍德。This image is reproduced on p.117 of Patricia Jaffé, Women Engravers. 这幅图像复制在p .117帕特里夏·贾菲女性的雕刻。In British Wood-Engraved Book Illustration,Joanna Selwood draws attention to "a tweed-jacketed man in breechesholding a spotted handkerchief to his nose while he leads a stringof dogs past a masculine-looking lady tending her Scottie dog" inthis acutely observed and fondly comic scene.在英国Wood-Engraved书插图,乔安娜Selwood提请注意“马裤tweed-jacketed男人拿着手帕发现他的鼻子,他领导一个字符串的狗过去阳刚的夫人照顾她的苏格兰狗”在这种敏锐地观察和天真地漫画场景。Pleasenote that this is the original 1930 printing, not the 1989re-strike (which was issued in an edition of 500 copies).请注意,这是原来的1930印刷,而不是1989年re-strike(发布版的500册)。Condition:Excellent.条件:太好了。简介：得撒盖伍德(英语/1908 - 1951)

Eileen Lucy "Tirzah" Garwoodwas born in Eastbourne in 1908, the daughter of a retiredlieutenant-colonel of the Royal Engineers, and raised in the kindof comfortable, conventional middle class world that her art was todescribe with a lovingly satirical eye.艾琳露西“得撒”盖伍德在1908年出生在伊斯特本的女儿皇家工程师,退休中校和成长在这种舒适,传统的中产阶级的世界,她的艺术是描述以深情地讽刺的眼光。Alwayscalled by her nickname Tirzah (a corruption of Tertia, as she wasthe third child), she was the most brilliant pupil in the woodengraving class taught by Eric Ravilious at the Eastbourne Schoolof Art, in which she enrolled at the age of 18.总是叫她的昵称得撒(Tertia的腐败,在她的第三个孩子),她是木头雕刻班上最杰出的学生教的EricRavilious伊斯特本学校的艺术,她在18岁。Tirzah's first wood engravingwas made on 24 November 1926.得撒的第一个木头雕刻了1926年11月24日。By 1927 she was alreadyexhibiting engravings at the Redfern Gallery,London.到1927年,她已经表现出雕刻在雷德芬画廊,伦敦。Overthe next four years she was widely recognized as one of the mostpromising wood engravers of the day, and this at the height of thewood engraving boom.在未来四年她是公认的最有前途的木制雕刻的一天,而这在木头雕刻的高度繁荣。Her work receivedpraise in both The Times and The New Statesman; examples wereincluded in The Woodcut: An Annual for 1929, and (reproduced) inThe New Woodcut, a special number of The Studio, in 1930;commissions flowed in from the Curwen Press, the Golden CockerelPress, the Kynoch Press, and the BBC.她的工作收到了表扬在《泰晤士报》和《新政治家;木刻的例子包括:每年1929年新木刻(复制),一个特殊的工作室,在1930年,委员会流动从Curwen出版社,金色的小公鸡出版社,Kynoch出版社和英国广播公司(BBC)。In1929 she moved to London to continue her studies at the CentralSchool of Art.1929年她搬到伦敦,继续她的研究在中央艺术学院。All her 40-odd engravings weremade between the ages of 19 and 23, when she married EricRavilious. 她所有的40余个雕刻了年龄在19到23日当她EricRavilious结婚。Following her marriage, Tirzah Ravilious'sartistic impulses were channelled into making beautiful marbledpapers in collaboration with Charlotte Bawden (Tirzah and Eric wereliving with the Bawdens at Brick House, Great Bardfield).她的婚姻后,得撒Ravilious的艺术冲动是流向使美丽的大理石的论文与夏洛特Bawden合作(得撒和埃里克•Bawdens居住在砖房,伟大的Bardfield)。AfterEric Ravilious died in 1942 (lost as an Official War Artist on anair-sea rescue mission in Iceland), Tirzah was left as a widow withthree children. EricRavilious死后1942年战争(失去了作为一个官方艺术家在海上救援任务在冰岛),得撒了一个寡妇,有三个孩子。In1946 she remarried to Henry Swanzy.在1946年她再婚亨利Swanzy。She died of a recurrence ofcancer in 1951.她在1951年死于癌症的复发。Her wood engravings have been the subject of acatalogue raisonné by her daughter Anne Ullmann, The WoodEngravings of Tirzah Ravilious (Gordon Fraser, 1987); this lists 43engravings, though it appears there is at least one more.她木雕刻的主题目录分类了她的女儿安妮·乌尔曼的木头雕刻得撒Ravilious(戈登•弗雷泽1987);这列表43雕刻,尽管看起来至少有一个。InBritish Wood Engraved Book Illustration 1904-1940, Joanna Selbornedraws particular attention to the 8 engravings that Tirzah Garwoodcompleted for a projected Curwen Press calendar, to be entitledRelatives, calling them "probably her finest wood engravings andamong the most vivid portrayals of 1920s middle-class life by acontemporary practitioner.在英国木头雕刻书插图1904 -1940,乔安娜Selborne提请特别注意8雕刻得撒盖伍德完成预计Curwen按日历,有亲戚,称他们“可能她最好的木材雕刻和最生动的描写1920年代中产阶级生活的当代实践者。"We have four of these: The Dog Show, Kensington High Street, TheCrocodile, and The Wife.“我们有四个:狗表演,肯辛顿大街,鳄鱼,和妻子。They show a witty and sharplyobservant eye, and a brilliant technicalfacility.他们大幅表现出机智和敏锐的眼睛,一位才华横溢的技术设施。Afterher death, retrospective exhibitions of the art of Tirza Garwoodwere held at the Towner Art Gallery, Eastbourne and at the ArtsCouncil in London; a further, larger exhibition was held at theTowner Art Gallery in 1987, to mark the publication of theCatalogueRaisonné.在她死后,回顾展览的艺术Tirza盖伍德举行Towner艺术画廊,伊斯特本和伦敦艺术委员会;进一步,更大的展览举行Towner画廊在1987年出版的目录分类。

得撒盖伍德- Yawning, 1929打呵欠,1929Wood engraving木头雕刻Sheet size: 270 x 185 mm表大小:270 x185毫米Image size: 150 x 150 mm图片大小:150 x150毫米Edition: Size of edition unknown; scarce –Unsigned版:大小版未知;稀缺——无符号Original wood engraving byTirzah Garwood (Tirzah Ravilious), printed at the Curwen Press onwove paper.原始木材雕刻得撒盖伍德(得撒Ravilious),打印在布纹纸Curwen媒体。Publishedby The Fleuron in 1929, in The Woodcut vol. III, Artist and titleare credited in type below.1929年出版的花形图案的装饰,在木刻第三卷,艺术家和标题下面的类型。Condition:Excellent.条件:太好了。

得撒盖伍德- High Street, Kensington,1929肯辛顿大街,1929Wood engraving木头雕刻Sheet size: 250 x 175 mm表大小:250 x175毫米Image size: 165 x 125 mm图片大小:165 x125毫米Edition: Size of edition unknown; scarce –Unsigned版:大小版未知;稀缺——无符号Original wood engraving byTirzah Garwood (Tirzah Ravilious), created in 1929 for a projectedbut never published Curwen Press calendar.原始木材雕刻得撒盖伍德(得撒Ravilious),创建于1929年的预测但从未Curwen出版社出版的日历。Aspublished in 1930 by The London Mercury.伦敦在1930年出版的汞。Printed by the Mercury Press on wovepaper. 印刷的汞横纹纸。As usual with wood engravingspublished by The London Mercury, there is text on the verso.像往常一样用木头雕刻伦敦出版的汞,反面有文本。Below the image are printedthe words, High Street, Kensington, Woodcut by TirzahGarwood.下面的图像打印的话,大街上,肯辛顿在得撒盖伍德木刻。The lady crossing the streetis one of Tirzah Garwood's aunts; the hunched figure following heris evidently the artist herself, carrying a briefcase with theinitials T.G. Condition:Excellent.老太太过马路得撒���伍德的一个阿姨,缩图显然是艺术家自己后,拿着一个公文包,其上有首字母缩写T.G.

得撒盖伍德- The Big Man, 1931大男人,1931年Wood engraving木头雕刻Sheet size: 250 x 150 mm表大小:250 x150毫米Image size: 155 x 115 mm图片大小:155 x115毫米Edition: 500 – Unsigned版:500-无符号Original wood engraving by Tirzah Garwood(Tirzah Ravilious), printed at the Chiswick Press on wovepaper.原始木材雕刻得撒盖伍德(得撒Ravilious),打印的奇西克横纹纸。Thefrontispiece for The Big Man by L.A.G. Strong, published in anedition of 500 copies in 1931, this from copy 441/500.大男人的标题页L.A.G.强劲,发表在500年版的500册,这441/500的副本。Theengraving was probably made in the previous year.雕刻的可能是在前一年。This image, which we believe to be TirzahGarwood's last significant wood engraving, is reproduced as plate151 in Selborne, British Wood-Engraved Book Illustration.这张图片,我们认为得撒盖伍德的最后重要的木材雕刻,在Selborne复制板151,英国Wood-Engraved书插图。Condition:Excellent.条件:太好了。

得撒盖伍德- The Crocodile, 1929鳄鱼,1929Wood engraving木头雕刻Sheet size: 250 x 175mm表大小:250 x 175毫米Image size: 165 x 125 mm图片大小:165 x125毫米Edition: Size of edition unknown; scarce –Unsigned版:大小版未知;稀缺——无符号Original wood engraving by Tirzah Garwood(Tirzah Ravilious), created in 1929 for a projected but neverpublished Curwen Press calendar.原始木材雕刻得撒盖伍德(得撒Ravilious),创建于1929年的预测但从未Curwen出���社出版的日历。Aspublished in 1930 by The London Mercury.伦敦在1930年出版的汞。Printed by the Mercury Press on wovepaper. 印刷的汞横纹纸。As usual with wood engravingspublished by The London Mercury, there is text on the verso.像往常一样用木头雕刻伦敦出版的汞,反面有文本。Below the image are printedthe words, The Crocodile, Woodcut by Tirzah Garwood.下面的图像打印的话,木刻的鳄鱼得撒盖伍德。In British Wood-Engraved BookIllustration, Joanna Selwood draws particular attention to thisengraving, with its "prim black-stockinged, felt-hatted schoolgirlswalking in pairs along a chequered pavement".在英国Wood-Engraved书插图,乔安娜Selwood提请特别注意这个雕刻,以其“呆板的black-stockinged,felt-hatted女生走在一起对多变的人行道上”。Pleasenote that this is the original 1930 printing, not the 1989restrike, which was published in an edition of 500 copies.请注意,这是原来的1930印刷,不是1989再打,发表在500册的版本。Condition:Excellent.条件:太好了。

得撒盖伍德- High Street, Kensington,1929肯辛顿大街,1929Woodengraving木头雕刻Sheet size: 250 x 175 mm表大小:250 x175毫米Image size: 165 x 125 mm图片大小:165 x125毫米Edition: Size of edition unknown; scarce –Unsigned版:大小版未知;稀缺——无符号Original wood engraving byTirzah Garwood (Tirzah Ravilious), created in 1929 for a projectedbut never published Curwen Press calendar.原始木材雕刻得撒盖伍德(得撒Ravilious),创建于1929年的预测���从未Curwen出版社出版的日历。Aspublished in 1930 by The London Mercury.伦敦在1930年出版的汞。Printed by the Mercury Press on wovepaper. 印刷的汞横纹纸。As usual with wood engravingspublished by The London Mercury, there is text on the verso.像往常一样用木头雕刻伦敦出版的汞,反面有文本。Below the image are printedthe words, High Street, Kensington, Woodcut by TirzahGarwood.下面的图像打印的话,大街上,肯辛顿在得撒盖伍德木刻。The lady crossing the streetis one of Tirzah Garwood's aunts; the hunched figure following heris evidently the artist herself, carrying a briefcase with theinitials T.G. Condition:Excellent.老太太过马路得撒盖伍德的一个阿姨,缩图显然是艺术家自己后,拿着一个公文包,其上有首字母缩写T.G.条件:优秀。

得撒盖伍德- The Defeat of Apollyon,1928失败的恶魔,1928年Wood engraving木头雕刻Sheet size: 215 x 135 mm表大小:215 x135毫米Image size: 115 x 90 mm图片大小:115 x90毫米Edition: Size of edition unknown; scarce –Unsigned版:大小版未知;稀缺——无符号Original wood engraving byTirzah Garwood (Tirzah Ravilious), printed on laid paper for theBritish Broadcasting Corporation by John Johnson at the UniversityPress, Oxford.原始木材雕刻得撒盖伍德(得��Ravilious),印在了纸上的英国广播公司由约翰·约翰逊大学出版社,牛津。Oneof three engravings commissioned by the BBC to illustrate GranvilleBantock's Oratorio, The Pilgrim's Progress.三种雕刻委托英国广播公司(BBC)来说明格兰维尔Bantock清唱剧,天路历程。Thetitle and the artist's name are printed below.标题和艺术家的名字打印如下。Condition:Excellent.条件:太好了。

得撒盖伍德- Vanity Fair, 1928《名利场》,1928Woodengraving木头雕刻Sheet size: 215x135 mm图纸大小:215x135毫米Image size: 115x90 mm图片大小:115x90毫米Edition: Size of edition unknown; scarce –Unsigned版:大小版未知;稀缺——无符号Original wood engraving by Tirzah Garwood(Tirzah Ravilious), printed on laid paper for the BritishBroadcasting Corporation by John Johnson at the University Press,Oxford.原始木材雕刻得撒盖伍德(得撒Ravilious),印在了纸上的英国广播公司由约翰·约翰逊大学出版社,牛津。Oneof three engravings commissioned by the BBC to illustrate GranvilleBantock's Oratorio, The Pilgrim's Progress.三种雕刻委托英国广播公司(BBC)来说明格兰维尔Bantock清唱剧,天路历程。Thetitle and the artist's name are printed below.标题和艺术家的名字打印如下。Condition:Excellent.条件:太好了。

得撒盖伍德- The Dream, 19281928年的梦想,Wood engraving木头雕刻Sheet size: 215x135 mm图纸大小:215x135毫米Image size: 115x90 mm图片大小:115x90毫米Edition: Size of edition unknown; scarce –Unsigned版:大小版未知;稀缺——无符号Original wood engraving byTirzah Garwood (Tirzah Ravilious), printed on laid paper for theBritish Broadcasting Corporation by John Johnson at the UniversityPress, Oxford.原始木材雕刻得撒盖伍德(得撒Ravilious),印在了��上的英国广播公司由约翰·约翰逊大学出版社,牛津。Oneof three engravings commissioned by the BBC to illustrate GranvilleBantock's Oratorio, The Pilgrim's Progress.三种雕刻委托英国广播公司(BBC)来说明格兰维尔Bantock清唱剧,天路历程。Thetitle and the artist's name are printed below.标题和艺术家的名字打印如下。Condition:Excellent.条件:太好了。

---

梦想与现实之间的磨合让我读懂很多生活的语言，风虽改变了方向，却没有改变我的行程-----

来源网址：_感谢独茂兰石授权转载，再转请保留本信息。