加州画家版画家和摄影师凯文弗莱彻独幅版画作品

伯利恒冶炼厂1905，199411×14英寸

船棚下浮桥，肯特郡海岸，200612×17-1/4英寸

加州画家，版画家和摄影师，凯文弗莱彻已经开发了独特的意象被拍到在他的游记建筑和工业场所知情。 His monochrome images vacillate between realismand abstraction.他的黑白图像现实主义和抽象之间摇摆不定。 Clear radial lines and implied light sourcescreate an “unfussed formal complexity” that is graphically dynamicand yet oftendelicate.明显的放射状的线条和隐含的光源创建一个“无动于衷正式的复杂性”，也就是图形化动态的，但往往细腻。Manyimages depict industrial scenes that are in a state of disrepairand decay but still posses power and boldvitality.许多图像描绘工业现场是年久失修和腐烂的状态，但仍然posses功率和大胆的活力。Theseimages often have a theatrical flare.这些图像往往具有戏剧性耀斑。Theviewer is led into a highly constructed space that at times feelssurreal and unnatural.观众被引导到一个高度构造空间，有时感觉超现实主义和不自然。Fletcherhas given himself the task of documenting the constant death andregeneration of urban, and perhaps metaphorically, socialconstructions.弗莱彻已经给自己记录的城市不断的死亡和重生的任务，也许隐喻，社会建设。

Theartist's monotypes are made by inking a plate completely with blackink.艺术家的单版画是由完全墨板与黑色墨水制成。 He then removes the ink with varying sizedmatboard chips, rags, and hishand.然后，他消除了油墨具有不同大小的matboard芯片，破布和他的手。 When necessary the artist will add lines andmarks with rollers after the initialprinting.必要时，艺术家将初始打印后添加线条和标记有滚轮。 Fletcher often utilizes the ghost image thatremains on the plate after the initial print ismade.弗莱彻经常利用残留在板上的打印起始作出后的重影。 He will reapply ink to the plate to create anentirely new image.他将重新墨板以创建一个全新的形象。

KevinFletcher received his BFA from Miami University, Oxford, Ohio in1978 and his MFA in etching and lithography from SyracuseUniversity in 1981. His work has been exhibited throughout the USandEurope.凯文·弗莱彻接受了他的博鳌亚洲论坛从迈阿密大学，牛津大学，俄亥俄州在1978年和他的外交部在蚀刻和光刻来自雪城大学在1981年，他的作品曾在美国和欧洲。Fletcher's work can be found in many permanentcollections including the Royal Museum of Fine Arts, Antwerp,Belgium;弗莱彻的工作可以在许多永久性的藏品包括英国皇家美术博物馆，比利时安特卫普被发现;theUniversity of Wurzburg, Germany;德国维尔茨堡大学;theUniversity of Wisconsin, Syracuse University, the Portland ArtMuseum, and the Cincinnati ArtMuseum.威斯康星州，雪城大学，波特兰艺术博物馆，以及辛辛那提艺术博物馆的大学。